The character nicknamed the Winged Wonder sits in a weird place in the DC Comics pantheon . Hawkman ’s made the big - deal startle from comics to cartoons ( not to mention live - action ) and has an instantly recognizable flavour . But all that look state you is that he can fly and bust head . Hawkman ’s always been more than that .
The character ’s appearance on the Superfriends and Justice League cartoons have usually confront audiences with a aerodynamic version of a very complicated history . His radical go all the elbow room back to the World War II era , the Golden Age of superhero comics . The first iteration of the graphic symbol was Carter Hall , an American archaeologist who was the rebirth of an ancient Egyptian prince . He discovered that a special element called “ ninth metal ” supercharge his strength and let him defy gravity , using it to make wings and a belted ammunition for his superhero costume .
After the superhero rage of the forties cooled , the part ’s name and look were revive in the early 1960s , with a science fabrication twist . The Silver Age Hawkman was a man bring up Katar Hol from the satellite Thanagar and , was , essentially a space officer . He came to Earth to chase a criminal and stay put here to study our chronicle . Variations on those twoiterations came and went over the decades , include a series where writer Geoff Johns established that Hawkman wasreincarnated throughout millenniaas a vanity to weave his disparate history into one train of thought .
You do n’t call for to have sex any of that to enjoy the fresh Hawkman # 1 , though . Written by Robert Venditti , with artistic creation by Bryan Hitch , Andrew Currie , Alex Sinclair , and Richard Starkings , the first issue homes in on the best aspects of the character . This Hawkman is Carter Hall , an archeologist who knows of his heroic preceding lives . But he ’s drive by a need to have a go at it even more and Hawkman # 1 pick up him hunt down a mystic artefact that holds the big businessman to unlock true knowledge of self . Do n’t worry , he fight a gargantuan talking ape , too .
This take focuses on aspects of the character that I ’ve always loved . He ’s a superhero who go to time and places even other superheroes don’t — so Hawkman stories should enjoy in exotic panorama , shift vantage points , and undiscovered secret . This one does exactly that and also does a courteous caper of mix key from past eras of risky venture storytelling . Pulp adventuring , Silver Age science fiction , and even some new - geezerhood otherworldliness are part of the mix here , buttressing the assumption that Carter Hall is someone who can exist heroically in dissimilar temporalities .
Venditti finds a strong voicing for Carter , too : someone who ’s down to solid ground when talking to champion , but ruminates in a lofty first - person tale tinct with antiquarian metre . Bryan Hitch makes Hawkman ’s mixing of conceptual ingredient sing here , drawing the crumbling corpse of former - humankind ruins , silky scifi delusion , and pucker everyday interactions with equal aplomb . Sir Clive Marles Sinclair ’s oeuvre on colors makes sequences glow with a mythologic energy that makes the whole book captivating .
Overall , this is a welcome return for Hawkman , who ’s not been seen much since DC ’s 2011 New 52 reboot . A possible account was givenduring DC ’s recent Dark Nights : Metal crosswalk , which revealed that Hawkman was one of the first victim to be swallow up by malevolent god Barbatos . He spite up being trapped in the World Forge , a construct that helped deliver the entire multiverse . Hawkman # 1 ends with a sign of potential corollary upshot from that experience , as Carter undergo a serial publication of resplendently drawn visual sense that hint at a cosmically expanded status quo for the main character .
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