All flashbacks are time travel

That ’s basically author Frederick Reiken ’s argument inthis provocative berth , about novel that approach metre in unconventional ways .

Why can we accept flashbacks so easily , even in the most conventional narratives ? Because novel use “ block time , ” conceiving of time as distance . That makes jumping between 2010 and 1986 as conceptually simple as a flight from Atlanta to Denver . For a skill fictional instance , think of Billy Pilgrim in Slaughterhouse - Five :

Billy has become “ unstuck in metre , ” and has no control over which part of his life he will wind up in next . All the moments of his life – present , past , future – can be arrived at as if they were geographic places . What I ’ll suggest is that a formal , realistic piece of work of literary fiction makes use of the same setup minus the spastic time travel . or else of the agonist becoming unstuck in time , the author plainly move the reader around within the block - metre mapping . In other words , the reader is the one who becomes unstuck , because the floor can go anywhere it wants .

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Reiken also pronounce if you want to understand how all time traveling stories crop , just scan two stories by Robert Heinlein : “ All You Zombies – ” and “ By His Bootstraps . ” He says :

If you may graph and understand the paradox that are exploited in those two stories ( the first hinges on the so - address “ grandfather paradox ; ” the 2nd hinge on the eponymous “ bootstrap paradox ” ) , you will understand the mechanics of all clock time locomotion genre chronicle ever written .

For more thoughts on time travel , plus a list of novels that trifle with chronology , determine outthe original postat The Book Lady ’s Blog .

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