Alcatrazcreator Liz Sarnoff explains how to keep actors in suspense

Alcatraz might be the most mysterious and creepy J.J. Abrams yield yet — it need malefactor from the renowned island prison house vanish in the past and reappearing , without having aged at all , in the present tense . These metre - displaced criminals wreak mayhem in present - day San Francisco .

But what ’s Alcatraz really about , and how do you keep a assumption like that going ? We baby-sit down with show God Almighty , producer , and writer Elizabeth Sarnoff ( Deadwood , Lost ) a while back , to talk about Alcatraz , air out Monday nights starting January 16th .

How much have you told the plaster cast about the overall patch of Alcatraz ?

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I ’ve told them what I can . I play all the actors into the writer ’s way so they could sit with us and verbalise about the fibre . There was a prominent detachment on Lost between the actors and the writer , and I want us to form more like a squad for the show . I tell them what I can , what I think they involve . Some thing that I ’m not sure of ( plot wise ) I just hold back , because you do n’t require to station the actor down the untimely route .

Was the locating of Alcatraz always in place or did that come later on ?

The thought of the prisoner coming back and Alcatraz was always integral to the show . I just pronounce “ I would do this , that , and the other thing ” to mess it up .

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Does the first season have an arc that delves into the time travel aspects or will it be more of a “ crook of the week ” based show ?

There is definitely the “ criminal of the week ” facial expression of the show . The strong has a very strong story engine , which is these guys are coming back , and they are bad , and we have to get them . But , at the same time , for it to be fun , we want to find out why they are here ? Why have n’t they maturate ? Who sent them to the present ? Also , the characters are really of import to me . Each of the character have a very personal reasonableness for doing what they are doing in the series . I desire to see them achieve their goal or not . I desire to get to know them better . This is very much a character show for me .

Do you have a set plan , like a five year programme ? Do you have an exit scheme ?

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What is that quote ? “ If you want to pick up God laugh , severalise him your program . ” All we can do is issue forth out with the best , most compelling thirteen episodes we can , and we ’ll take it from there . You never screw what is go to happen with a television show , you just do the good job you could and hope for the best . For me , I ’d love to be writing the show for a while . I find the subject thing fascinating and I love the cast and working with Jack Bender . I finger very lucky to be in this originative cod justly now and I hope we get to keep going .

What was the molding mental process like ?

Casting is always a crazy hodgepodge of things . The first question I was asked was , “ Jorge ( Garcia ) is seem to do another show . Would you wish him ? ” I say , “ I would toss off to have Jorge . ” We had this function , and it was sort of a different role , and I order , “ countenance me re - write it for him . ” I re - wrote it from him , and that was the first affair that derive along . Then they said , “ Sam Neill is in town , and he would wish to meet . ” I was thought they were kidding me . ( The cast of ) Rebecca ( Madsen ) was in some ways the strong and film the longest , and then Sarah ( Jones ) arrive in one day and record and I ’d seen her on Sons of Anarchy , and I just aver , “ that ’s her . ”

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